A bite-sized book review of Jason Mellard's new book Progressive Country
By the end of the 1970s, the mythological image of the Texan was no longer secure and simple. The television show Dallas, which premiered in 1978, and the 1980 film Urban Cowboy were presenting glitzy reinventions of the cowboy image. Austin had become known for the redneck-meets-hippie styles of Willie Nelson and the Armadillo World Headquarters. In 1975, a Texas Monthly cover had asked, “Is The Texas Cowboy Extinct?” At the end of the decade, such a figure was far from monolithic, if it still existed at all.
Read the rest at The Texas Observer